Federico fellini roma
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In Mussolini's Italy, Fellini and Riccardo became members of the Avanguardista, the compulsory Fascist youth group for males.
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Įnrolled at the Ginnasio Giulio Cesare in 1929, he made friends with Luigi Titta Benzi, later a prominent Rimini lawyer (and the model for young Titta in Amarcord (1973)). Guido Brignone's Maciste all'Inferno (1926), the first film he saw, would mark him in ways linked to Dante and the cinema throughout his entire career. (Opper's Happy Hooligan would provide the visual inspiration for Gelsomina in Fellini's 1954 film La Strada McCay's Little Nemo would directly influence his 1980 film City of Women.) In 1926, he discovered the world of Grand Guignol, the circus with Pierino the Clown and the movies. An attentive student, he spent his leisure time drawing, staging puppet shows and reading Il corriere dei piccoli, the popular children's magazine that reproduced traditional American cartoons by Winsor McCay, George McManus and Frederick Burr Opper. In 1924, Fellini started primary school in an institute run by the nuns of San Vincenzo in Rimini, attending the Carlo Tonni public school two years later. Fellini had two siblings, Riccardo (1921–1991), a documentary director for RAI Television, and Maria Maddalena (m. The couple settled in Rimini where Urbano became a traveling salesman and wholesale vendor.
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A civil marriage followed in 1918 with the religious ceremony held at Santa Maria Maggiore in Rome a year later. Despite her family's vehement disapproval, she had eloped with Urbano in 1917 to live at his parents' home in Gambettola. His mother, Ida Barbiani (1896–1984), came from a bourgeois Catholic family of Roman merchants. His father, Urbano Fellini (1894–1956), born to a family of Romagnol peasants and small landholders from Gambettola, moved to Rome in 1915 as a baker apprenticed to the Pantanella pasta factory. On 25 January, at the San Nicolò church he was baptized Federico Domenico Marcello Fellini.
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Fellini was ranked 2nd in the directors' poll and 7th in the critics' poll in Sight & Sound's 2002 list of the greatest directors of all time. His other well-known films include La Strada (1954), Nights of Cabiria (1957), Juliet of the Spirits (1965), the "Toby Dammit" segment of Spirits of the Dead (1968), Fellini Satyricon (1969), Roma (1972), Amarcord (1973), and Fellini's Casanova (1976). He received an honorary award for Lifetime Achievement at the 65th Academy Awards in Los Angeles. His films have ranked highly in critical polls such as that of Cahiers du Cinéma and Sight & Sound, which lists his 1963 film 8 + 1⁄ 2 as the 10th-greatest film.įor La Dolce Vita Fellini won the Palme d'Or additionally, he was nominated for twelve Academy Awards, and won four in the category of Best Foreign Language Film, the most for any director in the history of the Academy. He is recognized as one of the greatest and most influential filmmakers of all time. After such early works as I vitelloni, Fellini broke away from neorealism’s political strictures with the beloved La strada, and from there boldly explored his obsessions with the circus, societal decadence, spiritual redemption, and, most controversially, women, in such films as Nights of Cabiria, Juliet of the Spirits, and And the Ship Sails On.Federico Fellini, Cavaliere di Gran Croce OMRI ( Italian: 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter known for his distinctive style, which blends fantasy and baroque images with earthiness. In his early career, Fellini was both a screenwriter for neorealist pioneer Roberto Rossellini and a newspaper caricaturist in postwar Rome, competing influences he would bring together with startling results. While his most popular-and accessible-film, the darkly nostalgic childhood memoir Amarcord, is a great entryway into his oeuvre, 8½, a collage of memories, dreams, and fantasies about a director’s artistic crisis, is perhaps his masterpiece. One of Italy’s great modern directors, Federico Fellini was a larger-than-life maestro who created an inimitable cinematic style combining surreal carnival with incisive social critique.